“Binge-watchers, beware – change is coming to Netflix. As the streaming giant continues to shake up its catalog, fans of their favorite films are in for a rude awakening. Next month, over 60 movies are set to vanish from the platform, leaving a void in the lives of viewers who’ve grown accustomed to their cinematic comfort zone. From Oscar winners to cult classics, the departing films represent a staggering loss for Netflix subscribers. As the April purge approaches, Morningpicker is here to give you the lowdown on what’s leaving and what you need to know to prep for the great exodus. Get ready to say goodbye to some of your favorite movies and hello to a very different Netflix lineup – but first, let’s take a look at the shocking list of departures.”
Farewell to Favorites

Catch the iconic films before they leave Netflix
Karate Kid Trilogy
Stream “The Karate Kid” here, “The Karate Kid Part II” here and “The Karate Kid Part III” here. The popularity of the spinoff series “Cobra Kai” has made the “Karate Kid” movies a fairly dependable presence on Netflix; one hopes their disappearance will be short-lived. The 1984 original remains one of cinema’s great underdog movies, as Daniel LaRusso (Ralph Macchio) moves to sunny Southern California from New Jersey, falls hard for a rich girl (Elisabeth Shue) and gets on the wrong side of a school bully (William Zabka), ultimately seeking out the unconventional martial arts training of the mysterious Mr. Miyagi (Pat Morita). The 1987 sequel and 1989 three-quel offer diminishing returns, but even at its weakest, the series is carried by the charisma and camaraderie of Macchio and Morita.

Happy Feet
Stream “Happy Feet” here and “Happy Feet Two” here. George Miller boasts one of the most strikingly split personalities of his filmmaking generation, veering between blistering action epics like the “Mad Max” series and warm family efforts like the “Babe” films and these charming animated tales of a tap-dancing penguin named Mumble. He is voiced with charisma and sensitivity by Elijah Wood, who makes the character a stand-in for every outcast kid who harbored a special talent. Robin Williams provides his signature wild wit in support, while Hugh Jackman and Nicole Kidman delight as Mumble’s not-always-supportive parents.

Action-Packed Departures
Get ready to bid farewell to these action-packed movies
Elysium
After the surprise success (and Academy Award nominations) of his brainy 2009 science fiction-action hybrid “District 9,” the writer and director Neill Blomkamp leveled up — bigger budget, bigger studio, bigger stars (including Matt Damon and Jodie Foster) — for this dystopian future tale. Damon stars as Max, an Everyman doing his best in a bombed-out Los Angeles circa 2154, trying to save his own life when he is exposed to a lethal dose of radiation. Blomkamp can’t quite recapture the explosive propulsion of his debut feature, but Damon is a sturdy hero, and the director creates a convincingly junky future.
District 9
Neill Blomkamp’s brainy sci-fi action hybrid leaves Netflix. His 2009 breakout film is a thought-provoking and often heartbreaking rumination on mortality, family and the sacrifices we don’t regret until it’s too late.
Comedies We’ll Miss
These comedies will be leaving Netflix in April 2025
Miss Congeniality
Sandra Bullock crafts one of her most physically inventive performances — all thrown elbows and twisted ankles — as Gracie Hart, a messy and clumsy yet brilliant F.B.I. Special Agent who must go undercover as a beauty pageant contestant to foil a terrorist plot. Bullock gives the goofy premise her all, almost convincing us that she is an ugly duckling before the inevitable glam reveal; Michael Caine and William Shatner gleefully steal scenes as her makeover master and the pageant’s memorable emcee.
Miss Congeniality
Sandra Bullock shines as a clumsy FBI agent turned beauty pageant contestant in this 2000 comedy.
A Buddy Comedies and Sports Favorites Roundup
A few popular franchises are leaving this month for U.S. subscribers, including the first three “Karate Kid” movies. Catch these before they leave.
Several noteworthy franchises — including family classics, sports favorites and buddy comedies — are leaving Netflix in the United States this month, alongside some thoughtful sci-fi, rowdy female-fronted comedies, a hit horror reboot and more.
The Horror of it All
New Horror Movies of 2025
A sneak peek at the latest terrifying releases, including “Twas a March of madness with at least 8 new horror movies: New Blumhouse horror The Woman in the Yard, Dolled-up The Rule of Jenny Pen, slasher Bloody Axe Wound, Eiza Gonzalez and Aaron Paul in Ash, Sam Raimi-produced Locked, 70-minute chaotic Invader, Alfonso Cuaron-produced Revelations, and Kelly Marie Tran’s Control Freak.
Leaving Netflix, but Not Forgotten
Horror movies that may be departing, but will stay in our nightmares.
What’s Next for Netflix Subscribers
New Arrivals and Alternatives
Exploring the new movies and shows coming to Netflix in April 2025.
The Impact of Movie Departures on Netflix’s Content Strategy
Analysis and implications for subscribers and the streaming giant.
Conclusion
The Netflix Exodus: A Shocking Reality of 60+ Movies Leaving the Platform in April 2025
In a shocking revelation, a staggering number of movies have been removed from Netflix in April 2025, leaving fans and viewers wondering what this means for the future of streaming. According to industry reports, a significant portion of popular titles, including blockbuster hits and critically acclaimed films, have been pulled from the platform. This surge in removals has sparked concerns about the long-term sustainability of Netflix’s model, and what this means for content creators and viewers alike.
The significance of this phenomenon cannot be overstated. The loss of these titles not only affects the original creators but also the audience who were eagerly awaiting their release. As a result, Netflix must reassess its strategy and consider alternative revenue streams to sustain its business model. Furthermore, the removal of popular titles also raises questions about the platform’s commitment to its core audience. Will Netflix continue to prioritize the interests of its subscribers over those of its original creators? The answer, unfortunately, is unclear.